Here are some of them:

DEADLINE, Pete Hammond:

“Channing Tatum & Kirsten Dunst Triumph In Incredible Real-Life Story That Becomes One Of 2025’s Best Movies”
“It is the role of a lifetime for Tatum, who delivers a performance of charm and complexity playing an exceptionally smart and inventive veteran being tossed aside now… This is a perfect role for Tatum, who most recently charmed in Dog and The Lost City, both proving his box office prowess. Here he takes it to new levels playing a flawed and complicated man, in real trouble, but one we root for no matter what. It is one of those roles where after you see it you cannot imagine another actor doing it as well.” 

“(Dunst) is an actress who seems incapable of a false note, and she and Tatum have the magic, a chemistry you can’t fake that makes this impossible situation all the more heartbreaking.” 

VARIETY, Peter Debruge:

“It’s the through-the-roof chemistry between the two leads that makes the film worthy of repeat viewing. Tatum affected swagger has eased into a natural confidence, while Dunst brings just the right amount of wariness to a woman who’s devoted to her kids and devout in her faith.”

THE WRAP, Steve Pond:

“It’s easier to shrug off that string of felonies if the felon is played by the effortlessly charming Tatum, who somehow gets us to believe he’s just a little misguided.”

“Roofman” has it both ways; it’s funny and foreboding, sweet and troubling, light on its feet but with an inescapable undertone of uneasiness, even dread.”

VARIETY, Brent Lang:

“Indeed, “Roofman” toggles between showing the joy of Manchester’s heists, as well as the tragic consequences of his criminality, allowing Tatum and Dunst to chart expansive emotional arcs in performances that are sure to be talked about throughout awards season.

THE HOLLYWOOD REPORTER, Scott Feinberg:

“a career-best turn from Tatum, who hasn’t had a showcase of this quality since 2014’s Foxcatcher, and who makes a strong case for a best actor Oscar nomination, which would be his first-ever recognition from the Academy. Dunst, too, is worthy of a serious look in the best supporting actress Oscar contest, in which she was previously nominated for 2021’s The Power of the Dog.”

MR. WILL WONG, Nicholas Proteous:

“Roofman succeeds as a comedy, a romance, a moving story of found family, and an unpredictable crime saga. It’s a brilliant and surprising genre mashup for Cianfrance, and a worthy addition to your list of must-sees at this year’s Festival.”

“Tatum, as Jeffrey Manchester, is one of the most entertaining characters in recent memory.”

THE TORONTO SUN, Mark Daniell:

“‘Roofman’ is the type of movie that people who enjoy a night out at the cinema are really going to dig. Channing Tatum and Kirsten Dunst looked like they had a ball making this. Heartwarming and heartbreaking at the same time — this is the perfect fall movie.”

NEXT BEST PICTURE, Ema Sasic:

“ROOFMAN plays into all of Channing Tatum’s strengths: His charm, comedy chops, athleticism and sincere on-screen presence. Once Kirsten Dunst enters the picture, Derek Cianfrance hits us with another romance that builds lovingly, until hard truths hit hard in the end” 

IN SESSION FILM, Shadan Larki:

“Channing Tatum is the best he's ever been in ROOFMAN. This feels like the performance he's been waiting to give his whole career.”

Prorom is releasing Roofman in Romania (on October 10), Bulgaria (October 10), Hungary (on November 27) and Czech Republic & Slovakia (on October 9).

The film is based on the true story of the exorcism of Emma Schmidt, an American woman who was allegedly possessed by a demonic entity. 

The plot revolves around two priests, Theophilus Riesinger (Al Pacino) and Joseph Steiger (Dan Stevens), who must overcome their differences and work together to perform a series of dangerous exorcisms on Emma to save her soul. 

The Ritual is inspired by the 1935 book Begone Satan!, which has been at the center of faith-based debate for nearly a century. The original account of the events went on to inspire The Exorcist book and William Friedkin’s famed 1973 film.

The Ritual is an authentic portrayal of Emma Schmidt, an American woman whose demonic possession case remains the most thoroughly documented exorcism in American history.

Ashley Greene, Patricia Heaton, Abigail Cowen and Ritchie Montgomery also star in director David Midell's feature that hits theaters this month.

Prorom is releasing The Ritual in Romania (on May 30), Bulgaria (June 6), Hungary (on July 3) and Czech Republic & Slovakia (on July 10).

Currently in post-production for a 2026 release, the drama retells the true story of a youngster raised by ostriches in the Sahara.

The Desert Child follows Maistre’s hit Autumn and the Black Jaguar, which grossed $30M at the international box office, and upcoming release Moon The Panda, which hits French and Eastern Europe cinemas this April.

Moon the Panda will be released in Hungary (on April 10), Romania (on April 11), Czech Republic and Slovakia (on April 24) by Prorom.

„Over the years, our local audiences have truly fallen in love with Gilles de Maistre’s movies. So we are very happy that after Mia and The White Lion, The Wolf and The Lion and Autumn And The Black Jaguar, we can soon enchant children and adults alike with The Desert Child” says Axel Böhm, Co-Managing Director at Prorom.

As with most of Maistre’s previous features, which also include The Wolf and the Lion and Mia and the White Lion, the The Desert Child involves working with children and real-life animals, in this case ostriches and young Fennec foxes.

Prorom released all of this titles in Romania, Hungary, Czech Republic and Slovakia with a combined box-office of over $1.8M (source: box-officemojo.com).

The Desert Child is produced by StudioCanal and Catherine Camborde at Mai-Juin Productions, a Mediawan company. StudioCanal is handling international sales and will also release the film theatrically in France.

Source: Deadline.com.

Image©2025 - Mai Juin Productions – StudioCanal – Umedia Production.

Based on the short story by Stephen King and produced by James Wan (The Conjuring, Saw), The Monkey is a new journey into dark worlds from Longlegs writer and director Osgood Perkins.

When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. 

Twenty-five years later, the monkey begins a new killing spree, forcing the estranged siblings to confront the cursed toy.

Prorom released The Monkey in Romania and Bulgaria (on March 7), Hungary (on February 27), Czech Republic, Sloavakia, Serbia, Slovenia and Croatia (on February 20).

The long-awaited film adaptation of Katja Brandis' bestselling series impresses with stunning visual effects and a gripping story!

At first glance, Carag looks like an ordinary boy, but behind his bright eyes lies an incredible secret: Carag is a shapeshifter. He grew up in the wilderness as a puma and now lives in his human form in the world of people.

It's only when Carag is accepted into Clearwater High, a secret boarding school for Woodwalkers like him, that he feels a sense of belonging. He quickly finds friends in Holly, a cheeky red squirrel, and Brandon, a shy bison. And Carag is going to need those friends-because the world of the Woodwalkers is full of mysteries and dangers.

Adventure, friendship, and transformation await in this captivating cinema adaptation of the bestselling series by Katja Brandis. 

Prorom is distributing the movie in cinemas from Romania, Hungary, Czech Republic and Slovakia.

Based on one of the best-selling videogame franchises of all time, this action-adventure-comedy follows Lilith (Cate Blanchett), an infamous treasure hunter with a mysterious past, who reluctantly returns to her home planet of Pandora to find the missing daughter of Atlas (Edgar Ramírez), the universe’s most powerful S.O.B.

She forms an unexpected alliance with a ragtag team of misfits ― Roland (Kevin Hart), once a highly respected soldier, but now desperate for redemption; Tiny Tina (Ariana Greenblatt), a feral pre-teen demolitionist; Krieg (Florian Munteanu), Tina’s musclebound, rhetorically challenged protector; Dr. Tannis (Jamie Lee Curtis), the scientist who’s seen it all; and Claptrap (Jack Black), a persistently wiseass robot.

These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands ― but they’ll be fighting for something more: each other.

Long before producing the film, Ari Arad, whose credits include the recent hit Uncharted, had enjoyed playing the game upon which it’s based, calling it “cool and weird, and one of the more exciting and emotional games I’ve experienced. The game is action-packed but there’s a sweetness to it, which I thought was unique.”

Another key figure in Tiny Tina’s life is her stalwart, hulking, and loyal bodyguard Krieg. “It’s a bizarre relationship,” says Roth, “because both Tiny Tina and Krieg have been discarded. They are two misfits who take care of one another; there’s love and acceptance between them, in a big brother-little sister type way. Tiny Tina can take care of Krieg when he needs it, and he can and will kill anyone to protect her. The film is very much about the family you choose; within that family you learn to sacrifice and that’s when you are at your strongest.”

“The difference between Krieg and all the other Psychos is the soft spot in his heart he has for Tiny Tina,” says Florian Munteanu, who is best known for portraying fearsome boxer Viktor Drago in Creed II and Creed III.

According to Roth, it’s a perfect fit between actor and role. “Florian grounds Krieg in a way I didn’t know was possible. He brings real humanity and multiple layers to a character that on the surface seems totally insane and savage.”

Principal photography took place in Budapest, where the BORDERLANDS art direction teams, led by production designer Andrew Menzies, constructed Pandora from Hungary’s unique geological features and from inside Budapest’s formidable sound stages.

There, they brought to life Pandora’s mix of the wild American West, humor, and an epic fantasy space adventure.

Budapest provided impressive otherworldly locations, heightened by director of photography Rogier Stoffers’s striking cinematography, including rock quarries, mines, and underground tunnels.

Production also took over the whole of Stern Studios. “I love that we got to invent everything,” comments Roth. “It’s a lawless world, where everyone is figuring out how to just survive.”

Award-winning filmmaker Eli Roth made his directorial debut in 2002 with the hugely successful film Cabin Fever, and his follow-up titles – Hostel, Hostel Part II, Knock Knock, and Death Wish – have earned him critical praise and a reputation as a true innovator in the horror space.

Prorom distributes Borderlands in Romania, Hungary, Czech Republic, Slovakia and Bulgaria.